Noted as Tom Waits' most critically acclaimed album, Rain Dogs follows the new musical path Waits had taken with Swordfishtrombones. Considered the middle of a de facto trilogy with Swordfishtrombones and Franks Wild Years, Rain Dogs is the first of Waits’ albums to be written in New York, in a Lower Manhattan basement. A 53-minute, 19-track monster, Rain Dogs is a kind of mutant, late 20th century musical "Canterbury Tales" with a shape-shifting band. There are banjos and marimbas and bowed saw and parade drum and howling horns (and Keith Richards and Marc Ribot) on this rollicking, rough-hewn opus - and Waits, using his voice in increasingly weird-and-wild ways.

Originally released in 1985 on Island Records, the album is newly remastered for the first time ever from the original ½" flat master tape and personally overseen by Tom Waits and Kathleen Brennan. Mastered by Chris Bellman at Bernie Grundman Mastering under the guidance of Waits’ longtime audio engineer, Karl Derfler. The album packaging has also been restored.